Mystery Ahead, June 2016 | Fatal Flaws, Free Books, Argentina Mystery |

Published: Thu, 06/16/16

#protips  #friends  #reviews  #booknews  #suggest

This is Mystery Ahead, the new webzine for readers and writers. Together, we find out what makes for a compelling mystery.

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#protips
Mysteries are all about complicated people solving complicated plots. The best characters have  issues—often a Fatal Flaw--that make them vulnerable and real.  It’s why Spenser has his Code. Why John Rebus hangs out in the Oxford Bar.

Harry Hole, Jo Nesbo’s truculent Oslo cop, has the Fatal Flaw of addiction. Sometimes Harry’s drug use and alcoholism are in check, other times he’s in a death spiral.

Acapulco detective Emilia Cruz’s Fatal Flaw is that she’s a good liar. The talent serves her well, except when it comes to her interpersonal relationships. Unable to commit and unable to be truthful, her emotional life is often in a tailspin.

I recently encountered Ernesto Mallo's Inspector Lascano series. Lascano’s Fatal Flaw is riveting; dreams of his dead wife invade his waking moments. Check out the review of the first Lascano mystery in the #reviews section.

#friends
I recently taped  NPR radio show Alt.Latino with host Felix Contreras. It was a great show in which we discussed Latino mystery authors and the musical “soundtrack” to the Detective Emilia Cruz mystery series. The show will air in August when KING PESO, the 4th Detective Emilia Cruz mystery is released.


#reviews
NEEDLE IN A HAYSTACK by Ernesto Mallo sweeps us into dark times in Argentina with multi-layered characters, a mix of crime and mystery, and an intimate style that will have you turning pages at light speed.

Mallo’s Inspector Perro Lascano has an unenviable job in turbulent Buenos Aires, Argentina. He’s a police superintendent during the right wing military junta’s rule. From 1976-1983, the military junta carried out a reign of state terrorism known as the Process of National Reorganization. Military as well as right-wing death squads hunted down and killed dissidents under the guise of stamping out socialism. Numbers vary but up to 30,000 people were killed, imprisoned or simply disappeared.

Lascano does his job as trucks full of trigger-happy soldiers rumble down the street. He watches sobbing victims being rounded up and knows that his boss and other members of the justice system have been bought off. It seems like a “why bother” situation but Lascano has little else besides his job since the accidental death of his wife. She haunts his dreams, blending into wakefulness, making Lascano one of the most intriguing characters I’ve run across in quite some time.

He's assigned to check out two bodies in a field. But when he arrives, there are three. Two are clearly murder squad victims which the police are not allowed to touch. The other body is that of an older man killed in a markedly different manner, however, and Lascano can investigate.

The action then goes back in time and the crime unfolds. Greed, corruption, cheating women, and cruel thugs all feature, products of a paranoid nation in the midst of its own destruction.

Lascano has other duties besides the murder investigation including a raid on a brothel where he discovers Eva, a leftist guerilla hiding from the murder squads. She’s a ringer for his dead wife and he takes her home. It's a good place for Eva to hide, a relationship develops, then she, too, becomes caught up in the murder investigation.

Beyond the dramatic place and time, Mallo’s writing is notable for his dialogue. He doesn’t use standard quotation marks, but combines characters’ lines into an italicized paragraph. Other books have experimented with non-standard dialogue formatting; Cormac McCarthy’s THE ROAD comes to mind, but none so effective as Mallo.

Italics are often reserved for a character’s thoughts. As a result, Mallo’s style creates intimacy and urgency. Conversations are only between two speakers and sentences are short and sharp. It isn’t always clear which character is speaking, but it doesn’t matter. The outcome of the exchange is always clear and always moves the plot forward. Interestingly, the paragraphs grow larger as the book progresses, as if Mallo is getting us accustomed to the style.

For days after finishing the book, I found myself obsessing over it. The ending offers both shock and hope in a twist strongly reminiscent of MILA 18 by Leon Uris, that epic novel of the Warsaw uprising during WWII.

Verdict: NEEDLE IN A HAYSTACK mixes a helping of crime fiction with a compelling format, a riveting setting, and an anti-hero main character. It’s one of the best mystery novels I’ve read so far this year. Check it out on Amazon.
#booknews
Just in time for the weekend, the Kindle version of HAT DANCE, the second Detective Emilia Cruz mystery is #free. You can get it here.

In HAT DANCE, Emilia’s hunt for the missing teen Lila Jimenez Lata begins the odyssey that stretches throughout the series. At the same time, Emilia investigates a string of violent arsons. She survived the first fire at the El Tigre restaurant but the shattering effect lingers.

Emilia works with senior detective Franco Silvio in HAT DANCE, beginning a partnership full of surprises. Here’s a snippet ---

​​​​​​​“The car turned into a big wall of fire,” Emilia said, her voice shaking as much as the rest of her. “Always smart to run away from a fire. Not into it. Away.”

Silvio mopped his sweaty face with a paper napkin from the table dispenser. “This is it, Cruz,” he snarled. “I never wanted you in the squadroom. You are living proof that women can’t do this job.”

Emilia started to laugh. Silvio was lecturing her and her teeth were clacking together, and all she could do was laugh. It wasn’t even funny. She didn’t know why she was laughing but she couldn’t stop, either. Maybe it was because her teeth were making so much noise inside her head: clakkety-clakkety-clakkety—

Silvio threw a glass of ice water into her face and Emilia stopped laughing.

The tourists at a table across the aisle gasped.

The cold water ran down her chin and soaked the front of her jacket. Silvio grabbed a bunch of paper napkins from the dispenser and thrust them at her. Emilia slowly wiped her face. The napkins came away damp and sooty.

She dropped the soggy paper, lunged across the table and slapped Silvio. He leaned back, but even so, she connected hard enough with his jawbone to send a jarring sting up her entire arm.

The tourists scrambled out of their chairs and herded themselves toward the door.

Silvio fingered the bright red mark that Emilia’s hand had left, then snapped his fingers at the waiter and ordered two beers.

Emilia blew her nose on a napkin. It came away laden with black muck.

The waiter put two cold bottles on the table and darted away.

Silvio upended his bottle and took a long guzzle. Emilia swallowed a mouthful of cold beer, grateful for the cooling sensation as it went down her throat.

“Just how bad was that fire at the El Tigre?” Silvio asked after a while.

“Worse than I thought,” Emilia said.   ---

Get your free Kindle copy of HAT DANCE here. Offer good until 20 June.

#suggest
Last week, in addition to taping at NPR, I caught up with fellow scribe Jessica Tregarth. She asked how much does the news influence my writing?

A great deal. Right now I’m mulling over plotlines inspired by drug kingpin El Chapo’s arrests/captures/recaptures, the recent kidnapping of Mexican soccer star Alan Pulido, and the disappearance of 43 students in 2014.

But positive stories provide inspiration as well. Mexico’s rich culture, including food and art, is always on display in the Detective Emilia Cruz series.

Come for the mystery, stay for the margaritas.

!! Question to readers: What's your favorite mystery character with a Fatal Flaw? 

Your answer could be featured in next month’s edition.

Until then, keep reading and keep exploring the mystery ahead :)

All the best, Carmen

P.S. HAT DANCE is free for Kindle for just a few days. Tell your friends and claim your free copy here.